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Roberta Friedman
Grapevine Studio 215 Monterey St. Santa Cruz, CA 95060
My background in biology and chemistry come into play as I weave the natural world into my pieces. Years of experience in laboratories converge on the clay spinning in my hands and in the mixing and pouring of the glazes. I envision the flit of electrons among their orbits in cobalt, iron, and copper heated in the crucible of the kiln, creating the colors locked in glass bonded to the finished pieces. In my modest kiln I can recreate the slow intense processes deep within the Earth that yield the minerals I love to collect. At Left: Plate from Dinnerware Set |
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My pottery experience began as I entered graduate school doing medical research in Nashville, Tennessee, inspired by a community with many potters and weekly crafts fairs. I returned to clay when I settled in Santa Cruz more than two decades ago; it kept me sane while raising three boys, who are now teenagers. I set up my own studio in 2002 in Live Oak then moved it with my family near Lighthouse field in 2004. My studio in a greenhouse takes its name from the grape vine I planted that shades in summer and drops its leaves to let in the sunlight to heat it in winter--and whose leaves end up in some of the pieces! The power for the kiln and wheel is solar, as we put on panels on the main house. In harmony with nature, recreating her works, I look forward to many more productive years of creative ceramics for daily, affordable use. At Left: Soap Dispenser - Ginko Leaf Motif - Celadon Glaze
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I throw my functional pottery on an
electric wheel. The glazes I use are of my own composition, guided by
books, magazines, workshops and the Internet. Copper, iron, rutile, and
cobalt are my primary colorants. I use frits for most of my glazes, and
all are compatible for functional pieces with regular household use. For
my clay appliqué process, I use the pad left over after cutting pots
from the bat, and imprint leaves into the pad, then excise and apply. I
also cast shells I gather on local beaches and other found objects to
create bisque press molds that I then use to embellish my pots. I fire
to cone six in an electric kiln powered by solar panels on the property.
At Left: Teapot & Mug with grapevine Leaf Motif |
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For a printable version of Roberta's Artist's Statement (PDF) Click HERE. For a printable version of Roberta's Pottery Resume (PDF) Click HERE.
At Left: Teapot Set |
